Artists
Adi Dharma (aka. Stereoflow)
Born 1982, Adi Dharma (a.k.a Stereoflow) started doing graffiti in the late 90s and is heavily influenced by the hip-hop culture. He pursued a professional career around 2008 producing works such as murals, paintings, sculptures and installations. He has exhibited works in France, Germany, Spain, Hong Kong, Taiwan, Thailand, Singapore, United States, Canada and Australia. In Indonesia, he has participated in prestigious exhibitions such as Biennale Jogja and ICAD. Also he has done many commission work with many well known brands throughout Indonesia and Asia.
As his visual style continues to evolve, his graffiti background somehow remains visible in his now more contemporary abstract works. Adi simply hopes people can feel more of the visual vibes rather than questioning the meaning. It is the same when listening to music. just listen and enjoy, he says.
Adi Sundoro
Born in Jakarta in 1992, Adi Sundoro (Asun) completed his fine arts education at Jakarta State University (UNJ) and earned his master’s degree from the Bandung Institute of Technology (ITB). His strong passion for printmaking has led him to explore and combine various printing techniques, often presented in unconventional, expanded, or experimental formats. In his practice, Asun employs the principles of printmaking as a lens to observe and respond to everyday phenomena, ranging from trivial daily experiences to broader social and political issues. His works reflect a continuous exploration of process, material, and context, positioning printmaking not only as a technique but also as a conceptual approach.
Asun has exhibited his works both nationally and internationally, including in Egypt, the Republic of Korea, India, Vietnam, and Japan. His achievements include Winner of the Basoeki Abdullah Art Award #4 (2022) and Bronze Winner of the UOB Painting of the Year 2022 in the Established Artist category. In 2025, he was selected as a winner of the 100th Annual International Competition by The Print Center, Philadelphia, USA, which awarded him a solo exhibition.
His first solo exhibition, “Bualan Ikan: Narasi-narasi yang Terseret Arus”, was held at KKF Yogyakarta in 2019. In 2025, Asun was commissioned by the Museum of Modern and Contemporary Art in Nusantara (MACAN) to collaborate on the Children’s Art Space project, GORENGAN Bureau (Good, Organized, Responsive, Engaged Neighborhood Citizen Bureau). In the same year, he was selected as a resident artist for the Aomori Contemporary Art Center (ACAC) Artist-in-Residency Program in Japan.
Since 2014, Asun has been actively involved with Grafis Huru Hara, a printmaking studio-based collective dedicated to exploration, experimentation, and education in printmaking. He currently lives and works in Jakarta as a visual artist, Creative Director at The Distillery Asia, and lecturer in the New Media program at BINUS University.
Agugn
Agung Prabowo a.k.a Agugn (Bandung 1985) graduated from Graphic Art Major at the Faculty of Art and Design ITB. Been exploring various printmaking techniques, mostly linocuts and has comprised to push the boundaries of printmaking, incorporating the analog and digital process. Fear, nature, and ancient Indonesian arts has been his drive for making art by criticising anthromorphic perspectives.
He held his first solo exhibition, ‘Natural Mystic’ in Bentara Budaya Jakarta, Yogyakarta, Solo, and Bali-as his first prize for Triennale Seni Grafis Indonesia 4 in 2012. His next solo show is in 2015 at Jogja Contemporary, titled ‘Unguarded Guards’ and in 2016, ‘AGUGN:Printing Live in the Cosmos’ at Vinyl on Vinyl, Manila, and another solo show in Mizuma Gallery, Singapore called ‘Molasses’ held in 2017. His first museum solo show held in Machida City Museum Of Graphic Art, Tokyo in 2020, which previously in 2019, he was invited to do artist residency in Machida City, Tokyo. His recent solo show was at Kohesi Initiative, Yogyakarta titled ‘Human Supremacy’ in 2023, then toured to A Place Where Artspace, Kuala Lumpur.
He has joined many group exhibition internationally, including ‘Termasuk;contemporary art from Indonesia’ in Darren Knights Gallery, Sydney in 2019, and ‘Multilayered-New Print 2018/Summer’, in International Print Centre, New York in 2018. Another group exhibition he joined is ‘Java-Art Energy’ at Institut des Cultures d’Islam, Paris in 2018, and the latest group exhibition was International Original Print Exhibition in Bankside Gallery, London 2023.
Agus Putu Suyadnya
Agus Putu Suyadnya (Born 1985, Denpasar).
I works and lives in Yogyakarta, Indonesia. Studying fine arts academically and obtained a Bachelor of Fine Arts degree at Yogyakarta Indonesian Institute of Arts (2003-2010). My artworks is the result of a reflection of life, which tells about my relationship with God and the environment around me. Through art, I hope it can become a space for imaginative simulation and contemplation.
Alexander Sebastianus
Alexander Sebastianus Hartanto perceives ethnographic research as an immersive way of life. His artworks examines the decontextualization of material cultures, probing how they are perceived, understood, and ritualized in practice. For Sebastianus, decolonizing the ontologies of art involves reclaiming Sani—a lifestyle
encompassing offerings, service, and the pursuit of the unknown. This approach leads to the recreation of pilgrimages, sacred spaces, and woven cloths, some of which may or may not be archived, documented, or shared. In the realm of Sani, what remains are remnants and traces of materials.
Hartanto received the prestigious 2017 William Daley Award for Excellence in Art History and Craft. He attained mastery in weaving through an apprenticeship in East Java, his grandmother's hometown, serving as the starting point for his visual and ontological explorations.
Alif Lamra
(b. 1997, Payakumbuh, Indonesia)
Alif Lamra adalah seorang perupa yang bekerja dan tinggal di Yogyakarta. Praktik seninya berfokus pada fragmen ruang transisi dan detail yang kerap terabaikan. Alif membangun pengalaman visual yang menggantung, tak utuh dan ambigu, menghadirkan potongan-potongan kecil dari lanskap yang lebih besar. Fragmen tersebut bukan sekadar serpihan yang mengendap, tetapi membuka ruang bagi wilayah antara: antara ingatan dan ketidaktahuan, antara bentuk dan kekosongan.
Melalui pendekatan fotografis dan arsip pribadi, Alif menggolah visual secara berlapis mengggunakan metode zoom-in, pola berulang dan elemen garis geometris. Garis dalam karyanya hadir bukan sebagai penjelas bentuk atau sekadar dekorasi, melainkan sebagai interupsi visual yang menangguhkan makna, mengaburkan keterbacaan, dan membuka ruang tafsir yang reflektif. Dalam praktiknya, Alif tidak menyusun narasi secara utuh, tetapi menciptakan lanskap ambigu yang memungkinkan pengalaman visual berlangsung secara terbuka
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PENDIDIKAN
2016–2023 Seni Murni, ISI Yogyakarta, Indonesia
Amina McConvell
Amina McConvell lives on Gulumoerrgin (Larrakia Country - Darwin). She works primarily with formalist abstraction, geometric Conceptualism and Non-Objective Abstraction, and locates her practice within the frame of expanded painting. She often makes large-scale site-specific works, either directly onto the walls or by installing pieces developed for the specifics of a gallery or alternative spaces.